Showing posts with label 1970-1974. Show all posts
Showing posts with label 1970-1974. Show all posts

Robert Wyatt [1974] Theatre Royal Drury Lane

[01] Introduction By John Peel
[02] Dedicated To You But You Weren't Listening
[03] Memories
[04] Sea Song
[05] A Last Straw
[06] Little Red Riding Hood Hit The Road
[07] Alife
[08] Alifib
[09] Mind Of A Child
[10] Instant Pussy
[11] Signed Curtain
[12] Calyx
[13] Little Red Robin Hood Hit The Road
[14] I'm A Believer



amg: Recorded on September 8, 1974, this set features Robert Wyatt (post-accident) with a slew of mates, including Ivor Cutler! Introduced by John Peel and recorded by the BBC — only a little over half the concert survives — this is a wild, freewheeling document featuring Wyatt, Cutler, and Julie Tippetts on vocals; Dave Stewart and Tippetts on keyboards; alternate drummers Nick Mason and Laurie Allan; Hugh Hopper on bass; Fred Frith on guitar, violin, and viola; the late Mongezi Feza on trumpet; the late great Gary Windo on reeds; and guitarist Mike Oldfield. It's quite a lineup and an awesomely inspiring performance. Wyatt is in excellent form here, and the bandmembers, who are a bit ragged in places, are nonetheless tight and full of fire. From "Dedicated to You But You Weren't Listening" and "Memories" to "Alfie," "Instant Pussy," "Mind of a Child," and "Little Red Robin Hood Hit the Road," this set is alternately an early tribute recording to Wyatt and a fine get-together of friends from the Canterbury scene. Sonically, the recording is very present, though a bit overloaded in places, but the music more than compensates for this. All Wyatt fans will need this, as it is as close to an essential document of 1970s experimental/prog as one is likely to find.
(amg 8/10)

Robert Wyatt [1974] Rock Bottom

[01] Sea Song
[02] A Last Straw
[03] Little Red Riding Hood Hit The Road
[04] Alifib
[05] Alife
[06] Little Red Robin Hood Hit The Road



amg: Rock Bottom, recorded with a star-studded cast of Canterbury musicians, has been deservedly acclaimed as one of the finest art rock albums. Several forces surrounding Wyatt's life helped shape its outcome. First, it was recorded after the former Soft Machine drummer and singer fell out of a five-story window and broke his spine. Legend had it that the album was a chronicle of his stay in the hospital. Wyatt dispels this notion in the liner notes of the 1997 Thirsty Ear reissue of the album, as well as the book Wrong Movements: A Robert Wyatt History. Much of the material was composed prior to his accident in anticipation of rehearsals of a new lineup of Matching Mole. The writing was completed in the hospital, where Wyatt realized that he would now need to sing more, since he could no longer be solely the drummer. Many of Rock Bottom's songs are very personal and introspective love songs, since he would soon marry Alfreda Benge. Benge suggested to Wyatt that his music was too cluttered and needed more open spaces. Therefore, Robert Wyatt not only ploughed new ground in songwriting territory, but he presented the songs differently, taking time to allow songs like "Sea Song" and "Alifib" to develop slowly. Previous attempts at love songs, like "O Caroline," while earnest and wistful, were very literal and lyrically clumsy. Rock Bottom was Robert Wyatt's most focused and relaxed album up to its time of release. In 1974, it won the French Grand Prix Charles Cros Record of the Year Award. It is also considered an essential record in any comprehensive collection of psychedelic or progressive rock. Concurrently released was the first of his two singles to reach the British Top 40, "I'm a Believer."
(amg 9/10)